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  • About Us
  • What We Do
    • Film Production
    • Production Services
  • Careers
  • Contact Us

filmproduction

Films are at the core of our strengths – it’s the centre of the LRCF universe, the kick drum to our beating heart. We develop them with passion, work tirelessly on their execution, and cater to both local and global audiences. We ‘produce’, we ‘collaborate’, we work with ninja-like zeal.

Shaped by global experience, our sensibilities always strive to maintain a universal standard. It allows us to work with the best in the industry and offer the same to our global clients.  Whether its sales or finance enquiries, or guidance on a script, LRCF is more than happy to pull out that extra stop for something it believes in.

We’re always on the hunt – for the latest technology, new partnership opportunities, the freshest talent and the most exciting of ideas. Our commitment to good content and high production values, are reflected in our current projects, and is themed around a singular objective – to add life to universal human stories.



Little Red Car Films develops and executes film projects for the local as well as the global audiences.  We look forward to collaborate in a global space for content, technology as well as financial partnerships. Our universal and global perspective also brings value to our local and domestic projects, helping us to connect with the best talent in the world. Our current slate of projects is projection of our commitment to bring value to content that has a universal content and rich human stories at their heart. Do connect with us for sales or finance enquiries.

We offer international producer partnerships in India and be a part of international collaborations to enable the universal human stories come to life. Our global outlook and experience enables us to offer the best collaborations for a global audience. We look forward to help you take your project to the next stage.

We welcome collaborators, artists and film talent to connect with us. We will not be able to consider unsolicited scripts, however drop us a message and we will connect with you to suggest the appropriate submission procedure.





For further enquiries and information on our current and in development projects, you can write to us at info@littleredcarfilms.com

We are happy to review your projects and script submissions, however you are requested to connect with us to introduce your project before submission. Unsolicited script submissions will not be considered.

LRCF Feature Projects

THE HUNGRY TIDE

The Hungry Tide

PRODUCERS – Shernaz Italia, Freyan Khodaiji, Aditi Anand
CO-PRODUCER – Little Red Car Films

At the point where the most sacred rivers of India the Ganges, and the mighty Brahmaputra end their long journey and meet the sea, lies an immense archipelago of islands. At low tide they stretch far into the distance, hundreds of kilometers of impenetrable forests. These are the Sundarbans. Here, fresh water and salt, river and sea, land and water intermingle with mangroves and silt. The tides streak inland for almost three hundred miles and in their wake savage land, man and animal.

It is against this backdrop that the lives of Piyali Roy, Kanai Dutt and Fokir intersect. Piya, a free spirited woman of Indian parentage raised in America, inherits a certain diasporic rootlessness – a father who does not want to look back on the country he left behind, a tortured mother who longs for her ancestral home by the Brahmaputra.

A cetologist by profession, Piya comes to the Sundarbans in search of a rare species of river dolphin. It is here that she is thrown together with two men who represent entirely different worlds. Kanai, an urbane Delhite, has come to the Sundarbans on the request of his widowed aunt. Their paths cross and he is instantly drawn to this fiercely independent woman. Fokir, an illiterate, yet proud fisherman, inadvertently becomes Piya’s guide through these mazelike backwaters. In the process she is confronted with life changing choices.

The film is set entirely in the Sundarbans, meaning ‘beautiful forest’ in Bengali, and its unique ecology forms the backbone of the story. For Piya, this remote area is a cetologist’s dream; but it also becomes her worst nightmare when she is confronted by the man animal conflict between villagers and the tiger.

 Status: Script Development

NO GUNS AT MY SON'S FUNERAL / QASBAH

No Guns At My Son’s Funeral
( Hindi Title: Qasbah)
based on the bestselling novel by Paro Anand

Genre: Drama/Fantasy

Director: Puneet Rakheja

Among the frozen landscapes besieged by an eternal war between The Watchmen and Shadow Men, Apu a young boy is taking his first steps into adulthood. Enamored by the dynamic Akrab, Apu is willing to follow him to the ends of the earth and Akrab is more than willing to take him there. ‘Cops and robbers’ is not fun anymore, but a deadly game, a game in which childhood is the first casualty and mothers the first to mourn.

Download project details
(contact us for password)

STATUS: Financing

JABALPUR TAPES

JABALPUR TAPES

Genre: Found Footage/ Horror / Neo-Noir / Thriller

Director: Jogavindra S. Khera & Puneet Rakheja

Never on record has there been an assemblage of killers as lethal as the Thugs. Known as the children of Kali, for almost two hundred years this secret fraternity haunted the roads of India, slaughtering travelers with such efficiency that nearly two million men, women and children vanished without a trace.

Thug Behram holds the title of the world’s most prolific serial killer. Between 1790-1840, Behram is credited with killing 931 Indians by way of strangulation; that’s more killings than the Zodiac Killer, Charles Manson, Ted Bundy, David Berkowitz, John Wayne Gacy, Jeffrey Dahmer and Andrei Chikatilo – combined. Behram was caught and executed in 1840 by British civil servant, Sir William Sleeman. His final words before he was hung were, “Foolish is he who believes I can be stopped. On the rising of the evil moon, Goddess Kali will resurrect her children”.

Set in contemporary times, The Jabalpur Tapes brings to light the discovery of 37 highly classified VHS tapes that reveal the macabre events that transpired during Assistant Sub-Inspector Kishen Lal’s final investigation. What is real? What is supernatural? Are Thug Behram and his cult of Thuggies back? Or was Kishen Lal chasing a copycat serial killer who knew his history to well? All is revealed in the disturbing and perplexing found footage.

Download project details
(contact us for password)

Status: Script Development

ONCE AGAIN

ONCE AGAIN  
Directed by Kanwal Sethi Producer – Holm Taddiken
Co-Producer- Little Red Car Films

SYNOPSIS
Amar is an ageing film star. Wherever he goes, he is immediately surrounded by the masses- yet, he lives alone, hidden away in Mumbai, a city of 15 million souls. Tara, a widow is a passionate fan of Amar. She delivers Amar‘s meals to his home, but she has never seen him – except on the big screen. What began by pure chance, a year ago, has now turned into a ritual: for hours on end they talk to each other on the phone. Until one day, when Amar sets off to see Tara …

 Status: Pre Production

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